5 minute read
The loop: how a petal is formed
It's one operation, and you repeat it until your hands stop needing to think about it.
Read itTechnique
Almost everything about making a flower from wire and fibre comes down to three operations, repeated in different orders. You form a loop, you secure a twist, and you bind a bundle. Once you can do those three, the rest is judgement.
None of them are difficult on their own. What's difficult is doing them identically twenty times in a row, by eye, with no jig to help you. That's the whole skill, and it's why a bouquet takes several hours to build.
These articles describe the operations as they're actually performed rather than as a tidy diagram would show them, and they include the places where the tidy version doesn't survive contact with real material.
5 minute read
It's one operation, and you repeat it until your hands stop needing to think about it.
Read it6 minute read
Twelve stems become one object through friction and geometry rather than adhesive.
Read it6 minute read
Fifteen minutes of looking saves you an hour of making the wrong thing.
Read itWire remembers, fibre catches light, and the cheapest component in the room decides almost everything about the finished piece.
Five-fold symmetry, the vesica, and how to read a real flower well enough to build one that isn't a cartoon of it.
People have made flowers from paper, silk, wax and wire for a very long time, and almost always for the same reason.
Light, humidity, oxidation and handling. We cover which of them matter, which are myths, and what conservators do about each.