5 minute read
The loop: how a petal is formed
It's one operation, and you repeat it until your hands stop needing to think about it.
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This is about the craft, not the shop: what the hands do, why the material behaves as it does, and what ages a made flower.
5 minute read
It's one operation, and you repeat it until your hands stop needing to think about it.
Read it6 minute read
Twelve stems become one object through friction and geometry rather than adhesive.
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Fifteen minutes of looking saves you an hour of making the wrong thing.
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It's two wires and a spiral of fibre, made by a process borrowed from the textile industry.
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This is the reason you can push a crushed petal back into shape with a fingertip.
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This is why a handmade flower looks warm across a room while a plastic one looks flat.
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Roses, apple blossom, buttercups and hibiscus all repeat the same arrangement, and there's a reason for it.
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Two overlapping circles produce the outline underneath most petals you'll ever draw.
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The outline is what a person sees from the doorway, and everything inside it is detail.
Read it7 minute read
The impulse to make a flower out of something that isn't a flower is old, widespread, and almost always religious in origin.
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There's araliya at the temple, lotus at the shrine, and a calendar of offering that has nothing to do with decoration.
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Pressing, drying, wax, resin and glycerine are five methods with one motive behind them, and a long history of disappointment.
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Photodegradation is the single mechanism that ages a made flower, and you can avoid it entirely.
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Colombo is humid all year round. Here's what that actually does to a wire core, and what it doesn't.
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Crafts that make durable objects tend to develop a way of mending them. This studio arrived at one the way everybody does, by having to.
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