Materials
What the material actually does
A chenille stem costs almost nothing and it dictates almost everything: how tightly a petal can curve, how it recovers from being crushed, how the surface takes light, and how it behaves in a Colombo monsoon.
Understanding the material is what separates a flower that keeps its shape from one that sags within a month, and most of that understanding is about the wire rather than the fibre wound around it.
These articles cover what the material is, what it does under stress, and the specific ways it fails that are worth designing around.
In this section
Photography pending
A single chenille stem in raking light, close enough to see the fibres standing off the twisted core.What a chenille stem actually is
It's two wires and a spiral of fibre, made by a process borrowed from the textile industry.
5 minute read
Photography pending
One stem bent to a right angle and released, holding the angle, next to a length of loose fibre lying flat.Why wire remembers, and fibre does not
This is the reason you can push a crushed petal back into shape with a fingertip.
5 minute read
Photography pending
The same green stem shot lit from behind and from the front, the pile catching light differently in each.Fibre, light, and why texture reads at three metres
This is why a handmade flower looks warm across a room while a plastic one looks flat.
5 minute read
Elsewhere in the guide
Technique
There are three moves: the loop, the bind and the wrap. Here's what the hands are doing, and why each step is done the way it is.
Form and symmetry
Five-fold symmetry, the vesica, and how to read a real flower well enough to build one that isn't a cartoon of it.
Traditions
People have made flowers from paper, silk, wax and wire for a very long time, and almost always for the same reason.
Conservation
Light, humidity, oxidation and handling. We cover which of them matter, which are myths, and what conservators do about each.